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MAN OF STEEL REVIEW

With Marvel’s global success of ‘The Avengers,’ Warner Brothers & DC Comics have so much riding on ‘Man of Steel.’  The filmmakers simply must deliver the goods. I feel that they have. You’ve got all the epic fight sequences, action, special effects, science fiction & pyrotechnics. But you’ve also got an origin story from which you can now build.  Let me put it in simpler terms.  If you take one step back, you realize, that “Man of Steel’ is the greatest pro-adoption film since 1959′s “Ben Hur. ”

Finally, the credit is given where it is due, to the Kryptonian & human parents of Kal-el/Clark Kent (Henry Cavill). Jor-El (Russell Crowe) provided a chance for his son to prosper with a life on another world.  The parenting bond was then handed to earthlings Martha Kent (Diane Lane) & Jonathan Kent (Kevin Costner) & then finally back to Jor-El.  These are the people most responsible for birth of Superman. Flaws are what makes characters more interesting, and it is Clark Kent’s fight within himself that drives this version forward. Lois Lane (Amy Adams) plays the modern day reporter to perfection.  Her character’s actions tied everything together is a way that made perfect sense.

As for me, I believe “Man of Steel” is the reason why we go to see movies.  It’s another world.  It’s OK to fell like a kid again. Give it a shot. I had a complete blast.  You will too. One more thing. This could be really dark for younger children.  FYI, at the very end of the film, there’s no scene of Superman meeting Batman for hero sandwich, there’s nothing. Hey, one could always hope right?  Follow me on Twitter @leoquinones, Lois Lane does!

 



THE EAST MOVIE REVIEW

Published by in Movies on June 2nd, 2013 | No Comments »

NO SPOILERS: “The East” is one movie you don’t want to miss.  It’s about a group of young people that are sick & tired of corporate raiders getaway with the Earth’s destruction Scott Free! Sarah, (BRIT MARLING) stars as an operative tasked with infiltrating an Eco-terrorist outfit called, The East.  Benji (Alexander Skaarsgard) plays the hypnotic leader of the group.  He comes across like a powerful prophet hell-bent on tearing down companies that harm people or the planet. No corporate fat cat is safe.  The East is a tight thriller with a beginning, a middle & a great ending.  I highly recommend it. You can also follow me on Twitter @leoquinones

CAUTION: This video contains spoilers.

 



STAR TREK INTO DARKNESS MOVIE REVIEW

Director J.J. Abrams knows how to slap together a fun movie. “Star Trek Into Darkness” has most everything. Sometimes I enjoy simplicity.  The movie has a beginning, a middle & an end.  Less interpretation, more up on the screen.  I will say, in this installment, character development was scrapped over more action sequences.  But hey, I’m OK with that. It’s time for a summer popcorn movie & it’s not Oscar Season. The heartbeat of the movie is the complex friendship between The Human: Kirk & The Vulcan: Spock.  Chris Pine & Zachary Quinto provide the spark that ignites the entire movie.

The Crew of the Starship: Enterprise, headed by Captain James T. Kirk has been given their latest mission.  But it’s really less of a mission and more of a Black OP.  NO SPOILERS HERE. Trekkies will absolutely love subtle and notso subtle references to the original 1960′s TV series.  Maybe they should call him James T. KINK.  He just goes for it, every single time & I dig that.  I advise you to seek passage aboard the Enterprise & strap in for it’s 5-year mission.   I had a complete blast.  Just like Scotty, Bones & Ohura you can certainly follow me on Twitter @leoquinones.  Q-Out.

 

 



THE ICEMAN Movie Review

“The Iceman,” Richard Klukinski (Michael Shannon) was a contract killer for the mob. Legend has it, he’s whacked over 100 people.  Based on a true story is the statement that drives this film. New Jersey: 1964. Richard Klukinski is a man living the American reality. He’s just another guy trying to get by on a modest salary.  His paths cross with mid-level mobster Roy Demeo (Ray Liotta) & suddenly he’s got a new job & a new title: Hitman.  This thing turns into Diners & Deathbeds, in a hurry.

Michael Shannon was born to play this guy.  When he’s up onscreen, you really can get hypnotized by his intensity.  His acting is on point, hitting every single tone. Klukinski’s wife Deborah (Winona Ryder) for the most part accepts the fact the her husband is a good man, who happens to work a white collar job on Wall Street.  Ryder adds in layers of doubt about her husband’s career, but never really calls him out on what he’s really up to. I think it’s the best thing Winona Ryder has ever done. Other supporting players include rival assassin, Mr. Freezy (Chris Evans) & low level enforcer, Josh Rosenthal (David Schwimmer).

This movie is an absolute must-see. In lots of period films, I can see beyond the frame & envision set people off to the side holding Starbucks, awkward light rigs, bulky cameras & everything else you’ve seen on a movie set.  Director, Ariel Vromen & his production team wove every detail into the fabric of the films.  You can see details down to the the lamps, the cars, the wardrobe, the lighting. It’s all right there & never lets the audience think, ‘oh, this is just a movie.’

About two years ago, the young director convinced Michael Shannon to participate in a 1-day screen test.  This screen test, unlike many others would be a fully-produced scene.  The idea was to film an intense scene & use it as bait to attract money to back the film.  Anyone can provide a clip from “The Iceman.” What I’ve got for you is so much better.  It’s the actual screen test with Michael Shannon & Michael Wincott. (The Crow, Hitchcock) You’ll know this great actor when you see him in the clip. Let me set it up.  Wincott is playing Mr. Freezy, the other hitman that Chris Evans plays in the movie.  The pressure of cops & killing is getting to these guys.  They are desperate.  The dialogue is pretty much word-for-word as you’ll see in “The Iceman.”  Wincott & Shannon nail it. Makes me wonder, why didn’t they keep Wincott in the film.  “The Iceman” is Rated R. Go see it.

Follow on Twitter @leoquinones

 



DJANGO UNCHAINED MOVIE REVIEW

Quentin Tarantino’s “Django Unchained” takes us back to the year, 1858, two years before the Civil War.  I appreciate any attempt to bring back Westerns. It’s a genre ripe for a resurgence.  The setting works:  A bounty hunter (Christof Waltz) teams up with a slave, Django (Jamie Foxx) to capture criminals & ultimately help find & free Django’s slave wife. (Kerry Washington)

There are excellent scenes within the film. You’ll enjoy textbook Tarantino dialogue exchanges. Leonardo DiCaprio turns in an excellent performance as a savvy & sinister slave owner, the callus Calvin Candie.

As a whole however, this wasn’t one of my favorite Tarantino films.  Going back a few years, ‘Inglourious Basterds’ was utterly brilliant.  The Hans Landa character played by Christof Waltz, in my opinion, should have remained inside the world of ‘Inglourious Basterds.’ Instead, I kept seeing Hans resurface in ‘Django Unchained.’  I know everyone else did too, but won’t admit it.  Let’s compare.  In ‘Basterds’ he was dubbed ‘The Jew Hunter.’ Here he’s The Bounty Hunter. For some reason I can’t explain, he also hails from Germany.  Oh, & he speaks at least (3) languages, just like Hans Landa.

This is just nit-picking now.  Why do certain directors always feel compelled to hurl themselves into their own movie? It stymies me. Why does Quentin do this?  My first thought every time I see him onscreen in one of his own films is: What is Quentin doing?  It catapults me out of the movie! No one in Hollywood will admit this. They all want to work on one of his movies. I’m not an actor. So again I ask Quentin, Why insist? Why?

Final note, “Django Unchained” is still better than 85% of what’s out in theaters.  It’s worth watching. You can follow me on Twitter @leoquinones

 

 

 



End of Watch Movie Review

As Mel Gibson’s character Porter grumbled in “Payback,” “Dirty Cops. Do they come any other way?”  Cop movies most always thrive on Bad Cop Syndrome.  They’re either on the take through organized crime or confiscating cash to send their kids to college, ripping off drug dealers or at the very least hiding behind badges as bullies. Those are the reasons why ‘End of Watch’ is such a fresh look at the cop movie genre.  The story’s about two partners in the Los Angeles Police Department.  Officers Brian Taylor (Jake Gyllenhaal) & Mike Zavala (Michael Peña) get up every day & do the job.  What I loved about the movie is, these guys weren’t looking to score a huge payday & retire. It was quite the opposite.  Their idea of ‘hitting it big’ is always in the form of a big bust.  These LAPD officers are the good guys.

What I also enjoyed was the balance between action on the streets & verbal action between buddies in the squad car.  Spending endless hours on patrol, Brian & Mike talk about virtually anything from sex to Starbucks.  These scenes just tick away until the moment something happens.  When they get the call, it’s on.  NO SPOILERS.  I live in Southern California. What happens in Downtown Los Angeles seems a million miles away.  It is dark, desolate & dangerous.  The actors playing gang members are a constant reminder: Make sure your GPS works, respect their space & stay out of alleys.

On the first night of prep for this film, Jake was on an LAPD ride-along.  It’s there where he witnessed a shoot-out between gang members and one person was murdered right in front of his eyes.  Gyllenhaal did express experiencing intense moments of fear out in the field.  How could you not? The point of exposing yourself to such violence & potential life peril, is to simply funnel all that energy into a performance, which he most certainly did.  When they do go out an those calls, I had to remind myself to breathe.

Finally, a cop movie where you’re rooting for cops. The only problem: The bad guys are just too well-funded, too many in numbers, too armed & way too murderous. “End of Watch’ is rated ‘R.’          You can follow me on Twitter @leoquinones

CAUTION: This is the RED BAND Trailer for “End of Watch”

 



The Master Movie Review

After the horrors of World War II, I’ve got to believe people everywhere were asking questions.  Maybe questions like, ‘How do we get back on track after such a massive loss of life?’ Or, ‘How can we maximize our own lives?’  When people listen intently for life’s answers, sometimes strange voices grow louder.  Lancaster Dodd (Philip Seymour Hoffman) is the very personification of such a voice.  His family & followers refer to him as ‘Master.’  The year: 1950. The world seemed aching to move forward.  Sensing to fill a void in John Q. Public’s soul, Dodd manifests his teachings in the form of his first self-help book, “The Cause.” Once the book is ‘out there,’ it’s up for debate amongst scholars & skeptics.  I believe, Lancaster Dodd’s only tangible power comes from his ability to hold court anywhere, anytime.  On a yacht, in a desert & especially during his intense ‘Thought Processing’ therapy sessions.  This is the crux of The Cause’ movement.   These one-on-one sessions include, past life regression, childhood traumatic events, recounts of incest & lovers lost.  Why do so many followers engage?  They seek answers.

Freddie Quell (Joaquin Phoenix) is a World War II Veteran who now, in the time of peace, has become an aimless drifter.  Phoenix is the engine that drives ‘The Master.’  His physicality, dedication & execution of the role rivals that of Daniel Day Lewis, respectively.  You simply cannot take your eyes off Freddie. It’s a million little things like his peculiar arm position in his unique stance.  His gravely voice, twisted facial expressions & far away stare.  Is it all a dream?  Is his real?  Is everything he’s ever felt & known real or blurred forever by the teachings of The Master?

I enjoyed watching “The Master.” Writer/Director Paul Thomas Anderson makes bold choices.  The story does however bob and weave into the strangest places.  I would gladly trade some structure fluidity for incredible scenes.  There are too many to count. Notably, every scene between Lancaster and his devoted wife Peggy. (Amy Adams)  For me, the heart of the movie are the conversations between Freddie & The Master.  What’s their dynamic?  Why are they compelled to forge forward in their odd relationship?  What is Lancaster Dodd after? What’s Freddie agenda?  The answers are all there, but you get the opportunity to answer them yourself.  “The Master” is rated ‘R.’

Creators of certain suspicious religions want you to follow them to the four corners of the Earth. Not me. Just follow me on Twitter @leoquinones



VIDEO: Film Freak Box Office Update Week of 7.06.12

Time to talk movies!  This week, you’ll see “The Amazing Spiderman’s” ANDREW GARFIELD talks about the Spidey psychy.  KATY PERRY argues with her parents in a scene from her documentary, “Katy Perry: Part of Me” 3D. Also, BLAKE LIVELY steps out onto the red carpet to talk, “Savages.” Click on the link to watch!

https://vimeo.com/45411007



Film Freak Movie Talk Show Podcast 7.7.12

On today’s Film Freak Movie Talk Show, Leo goes over the Top 10 at the Box Office.  Then Leo chats with the star and director of the tiny little film, “The Amazing Spiderman”, Andrew Garfield and Marc Webb respectfully. Out on DVD & VOD is  “God Bless America” and with that, is a whirlwind interview with the director Bobcat Goldthwait.  Finally Boo Boo Stewart from “Twilight” fame stops in and talks a little about his upcoming ventures on Twitter and on the big screen. Follow Leo @leoquinones just like Spidey does!  Don’t forget to download the Film Freak iPhone App, it’s FREE!



Film Freak Movie Talk Show Podcast 6.23.12

The Film Freak Movie Talk Show brings you stars and creators straight from the GREEN carpet premiere of the new Disney Pixar movie, “Brave”. Visionary director, Brad Bird(“The Incredibles,” “Mission: Impossible Ghost Protocol)  is in attendance as well as the director and producer of  ”Brave” Mark Andrews and Katherine Sarafian.  Enrico Casarosa the filmmaker behind the Oscar nominated animated short “La Luna” stops by and gives over info on the emotional short appearing right before “Brave”.  TV’s Megyn Price, Chris Harrison, and John Ratzenberger are also the GREEN and Leo chats with them all. Finally, Leo talks upcoming DVD’s with Penelope Ann Miller about the Oscar winning film, “The Artist”. Be bold, be strong, be brave…and follow Leo Quinones on Twitter @leoquinones.  The Film Freak iPhone App is available for dowload & it’s FREE.  Just search Film Freak.



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